1.0College of Arts + Architecturehttps://cws.charlotte.edu/backup-coaaA-Luc A-Setzerhttps://cws.charlotte.edu/backup-coaa/author/tsetzer3_a/rich600338<blockquote class="wp-embedded-content" data-secret="wBrr6602uY"><a href="https://cws.charlotte.edu/backup-coaa/dance/research/">Research – Dance</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://cws.charlotte.edu/backup-coaa/dance/research/embed/#?secret=wBrr6602uY" width="600" height="338" title="“Research – Dance” — College of Arts + Architecture" data-secret="wBrr6602uY" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://cws.charlotte.edu/backup-coaa/wp-includes/js/wp-embed.min.js </script> Alyah Baker Alyah Baker researches the transformative impact of somatic practice, Black feminism, and queer aesthetics on concert dance traditions in the United States. Her current project, Quare Dance, delves into both historical and contemporary articulations of ballet pedagogy and performance, highlighting the contributions of often-overlooked teachers, choreographers, and performers. These resurfaced dance genealogies serve […]https://cws.charlotte.edu/backup-coaa/wp-content/uploads/sites/807/2024/05/Dance_5-1000x333.jpg