{"version":"1.0","provider_name":"College of Arts + Architecture","provider_url":"https:\/\/cws.charlotte.edu\/backup-coaa","author_name":"A-Luc A-Setzer","author_url":"https:\/\/cws.charlotte.edu\/backup-coaa\/author\/tsetzer3_a\/","title":"Dance Professor\u2019s Work Reviewed by The New York Times - College of Arts + Architecture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kszYAPqzce\"><a href=\"https:\/\/cws.charlotte.edu\/backup-coaa\/news\/dance-professore28099s-work-reviewed-new-york-times\/\">Dance Professor\u2019s Work Reviewed by The New York Times<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/news\/dance-professore28099s-work-reviewed-new-york-times\/embed\/#?secret=kszYAPqzce\" width=\"600\" height=\"338\" title=\"&#8220;Dance Professor\u2019s Work Reviewed by The New York Times&#8221; &#8212; College of Arts + Architecture\" data-secret=\"kszYAPqzce\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cws.charlotte.edu\/backup-coaa\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2024\/06\/0978-9904small.jpg","thumbnail_width":600,"thumbnail_height":400,"description":"A lost dance by modern dance master Paul Taylor, reconstructed by Associate Professor of Dance Kim Jones, was recently reviewed in The New York Times by chief dance critic Alastair Macaulay. The reconstruction was the result of an 18-month process and was funded in part by a Faculty Research Grant, a gift from the Wells [&hellip;]"}