{"id":34403,"date":"2017-02-20T00:00:00","date_gmt":"2017-02-20T05:00:00","guid":{"rendered":"https:\/\/cws.charlotte.edu\/backup-coaa\/storrs-gallery-to-present-tensional-topography\/"},"modified":"2024-06-03T09:53:20","modified_gmt":"2024-06-03T13:53:20","slug":"storrs-gallery-to-present-tensional-topography","status":"publish","type":"post","link":"https:\/\/cws.charlotte.edu\/backup-coaa\/news\/storrs-gallery-present-tensional-topography\/","title":{"rendered":"Storrs Gallery to Present Tensional Topography"},"content":{"rendered":"<p><p><em>\u201cThe traditional role of architecture has been one of reassuring us that things are under our control, that is, stable and static. But it is quite another thing to think of all architecture \u2018in tension.\u2019\u201d<\/em> <br \/> &#8211; Lebbeus Woods, 2004<\/p>\n<p>The School of Architecture and Storrs Gallery present a new exhibition, <em>Tensional Topography<\/em>, with an opening reception on Monday, March 13, from 5:30 to 7:00 pm. Featuring the work of Visiting Assistant Professor of Architecture Jeffrey Nesbit and graduate design assistant Andrew Beres, <em>Tensional Topography<\/em> uses digital technologies to expand upon the investigations of experimental architect Lebbeus Woods (1940-2012).<\/p>\n<p>Famed for his extraordinary drawings and insightful writings that examined architecture through its complex relationships to physics, philosophy, politics, art, geometry, and history, Woods was not a licensed practicing architect, but a researcher, theorist, and educator. He taught at numerous institutions, ending his career at The Cooper Union in New York City, and in 1988 co-founded the Research Institute of Experimental Architecture. Fascinated in particular by the impact of natural and man-made forces, such as earthquakes or war, on the built environment, Woods\u2019s work presents architecture in a state of tension and transformation, rather than a state of stability.<\/p>\n<p>While Woods worked entirely in analog mediums and methods, creating drawings and models by hand, he acknowledged that the digital had become central to the practice \u2013 and the future \u2013 of architecture. Nesbit and Beres have used the digital to push Woods\u2019s concepts even further, their sophisticated computations and experimentations producing a series of digitally fabricated prints, drawings, and models for the exhibition. <\/p>\n<p><em><img decoding=\"async\" alt=\"The Storm\" data-src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2024\/06\/The-Storm-Lebbeus-Woods_04.jpg\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 400px; --smush-placeholder-aspect-ratio: 400\/225;\">Tensional Topography<\/em> draws inspiration from two of Woods\u2019s projects: his <em>Terrain<\/em> series (1999) of drawings, which, according to Woods, depict a \u201cpotentially infinite number of synthetic landscapes,\u201d and <em>The<\/em> <em>Storm<\/em> (2002), an installation in the Houghton Gallery at Cooper Union that made \u201ctension\u201d visible in wall-sized drawings and an elaborate web of cables and rods stretched across the room. \u201cBy stringing cables and wooden rods as the material consequences of such dynamic interactions,\u201d writes Nesbit in his project abstract, \u201cthe installation established a flexible and ever-changing system affected by its subsequent forces and disturbances in the environment.\u201d<\/p>\n<p>In the research and the products of <em>Tensional Topography, <\/em>Nesbit and Beres merge these two investigations, applying \u201cthe notion of interrelated forces to the generation of a so-called topographic, common ground,\u201d writes Nesbit, in an attempt to \u201cpropel the work into an exploration of unpredictable design morphology.\u201d Beginning with a digital representation of <em>The Storm<\/em>, they methodically altered the tension fields by removing lines or surfaces or volumes, resulting in radically different constructs (and thus beautifully varied images for the exhibition). They then expanded the volumes, digitally creating artificial landscapes, or topographies, which demonstrate a relationship to Woods\u2019s <em>Terrain<\/em> and are strikingly rendered in both 2D and large-scale 3D formats.<\/p>\n<p> <img decoding=\"async\" alt=\"digital print by Nesbit\" data-src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2024\/06\/NESBIT-tensionalvolume.jpg\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 250px; --smush-placeholder-aspect-ratio: 250\/249;\"> <img decoding=\"async\" alt=\"digital print by Nesbit\" data-src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2024\/06\/Nesbit_RevisitingLebbeus_Plate1_small.jpg\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500\/500;\"> <img decoding=\"async\" alt=\"3D model\" data-src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2024\/06\/NESBIT-milledsurface2.jpg\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\"><\/p>\n<p>The research of <em>Tensional Topography<\/em> has been conducted through <a href=\"http:\/\/www.haecceitasstudio.com\/\" target=\"_blank\" rel=\"noopener\">Haeccietas Studio<\/a>, the experimental architecture studio that Nesbit founded in 2010. The exhibition will remain on view in Storrs Gallery through April 22. <\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe traditional role of architecture has been one of reassuring us that things are under our control, that is, stable and static. But it is quite another thing to think of all architecture \u2018in tension.\u2019\u201d &#8211; Lebbeus Woods, 2004 The School of Architecture and Storrs Gallery present a new exhibition, Tensional Topography, with an opening [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":34405,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_clt_a11y_last_scan":"1778690924","_clt_a11y_has_violations":"0","_clt_a11y_violations":"[]","_clt_a11y_suppressions":"","_clt_a11y_needs_validation":"","footnotes":""},"categories":[1],"tags":[55],"class_list":["post-34403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-coaa"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Storrs Gallery to Present Tensional Topography - College of Arts + Architecture<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Storrs Gallery to Present Tensional Topography - College of Arts + Architecture\" \/>\n<meta property=\"og:description\" content=\"\u201cThe traditional role of architecture has been one of reassuring us that things are under our control, that is, stable and static. 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