{"id":51277,"date":"2021-08-31T19:20:28","date_gmt":"2021-08-31T23:20:28","guid":{"rendered":"https:\/\/cws.charlotte.edu\/backup-coaa\/meredith-butterworth\/"},"modified":"2024-07-12T13:04:25","modified_gmt":"2024-07-12T17:04:25","slug":"meredith-butterworth","status":"publish","type":"post","link":"https:\/\/cws.charlotte.edu\/backup-coaa\/faces\/meredith-butterworth\/","title":{"rendered":"Meredith Butterworth"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img decoding=\"async\" width=\"400\" height=\"400\" data-src=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2021\/08\/meredith_butterworth.jpg\" alt=\"\" class=\"wp-image-53361 lazyload\" data-srcset=\"https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2021\/08\/meredith_butterworth.jpg 400w, https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2021\/08\/meredith_butterworth-150x150.jpg 150w, https:\/\/cws.charlotte.edu\/backup-coaa\/wp-content\/uploads\/sites\/807\/2021\/08\/meredith_butterworth-300x300.jpg 300w\" data-sizes=\"(max-width: 400px) 100vw, 400px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 400px; --smush-placeholder-aspect-ratio: 400\/400;\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Manager, Alumnae Engagement at Barnard College<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Education:<\/strong><br>Bachelor of Music in Percussion Performance,&nbsp;UNC Charlotte (2009)<br>Master of Music in Theory and Composition, New York University (2016)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">\u201cIn two semesters, there was only one guest speaker that was a black woman, and no Latino composers.\u201d<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><br>\u201cWe had David Lang, Phillip Glass\u2014big names. And they\u2019re all fantastic composers. But in two semesters there was only one guest speaker that was a black woman and no Latino composers. It made me think about how I want to contribute,\u201d remembered Meredith Butterworth.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Meredith Butterworth graduated from UNC Charlotte in 2009 with a Bachelor of Music in Percussion Performance. While at UNC Charlotte, she studied composition with Dr. John Allemeier and subsequently enrolled in New York University (NYU), receiving a Master of Music in Theory and Composition in 2016.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Meredith was the only black female composition major at NYU. \u201cNYU is a diverse university; a lot of people travel from different countries to study there. But there weren\u2019t a lot of black people, honestly.\u201d\u00a0 Each Monday a \u201cComposers\u2019 Forum\u201d presented a guest speaker. \u201cWe had David Lang, Phillip Glass\u2014big names. And they\u2019re all fantastic composers. But in two semesters there was only one guest speaker that was a black woman, and no Latino composers. It made me think about how I want to contribute.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Meredith Butterworth, JACK Quartet - &quot;Thoughts for Four&quot;\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/72Kh4X1xEn4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Since graduating, Meredith has become committed to \u201ccreating a space for people of color to be represented\u201d in the new music field. With fellow UNC Charlotte alumnus Matthew Primm, she started Particular Ensemble, which she hopes will become a music series that \u201cgives a space for those voices to come out.\u201d And her music will be included in a new recording of compositions for duo clarinet by women and minority composers, featuring UNC Charlotte professor Jessica Lindsey.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While at NYU, Meredith composed her first work for string quartet,&nbsp;<em>Thoughts for Four.&nbsp;<\/em>\u201c<em>Thoughts for Four<\/em>&nbsp;represents a new life experience,\u201d she says. \u201cIt can be viewed from the perspective of the relocation of a person to a new place, meeting new people, hearing new music, or taking on a new professional challenge.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The work received its premiere on April 23, 2013, in a New York performance by the JACK quartet, a leading contemporary music group called \u201csuperheroes of the new music world\u201d by the&nbsp;<em>Boston Globe.<\/em>&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In 2018, we interviewed Meredith for The College of Arts + Architecture&#8217;s 10&nbsp;year anniversary. This is an excerpt from our digital publication,&nbsp;<a href=\"https:\/\/cws.charlotte.edu\/backup-coaa\/sites\/cws.charlotte.edu\/backup-coaa\/files\/media\/pdfs\/2018_coaa_community.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">CoA+A Community<\/a>.&nbsp;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manager, Alumnae Engagement at Barnard College<\/p>\n","protected":false},"author":17,"featured_media":53361,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"no-sidebars.php","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_clt_a11y_last_scan":"1778694649","_clt_a11y_has_violations":"1","_clt_a11y_violations":"[{\"id\":\"heading-order\",\"impact\":\"moderate\",\"help\":\"Fix the heading level order on this page\",\"helpUrl\":\"https:\\\/\\\/dequeuniversity.com\\\/rules\\\/axe\\\/4.11\\\/heading-order?application=axeAPI\",\"description\":\"Headings must follow a logical order (e.g., H2 then H3) without skipping levels. 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